Origamie facile
By this I mean that we no more have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Origami fleur
Uchiyama is reported as Origami Easy Flower getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to Origami Heart Easy avoid the complexities of a model achieved exclusively by folding.
Origami facile
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have appeared occasionally, however the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive width. The most recent point out of the techniques is by Toshie Takahama Faire Avion En Papier Pro who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Fleur origami
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modelling particularly when foil has recently been used and one can make certain of the material remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper seems to be Un Bateau En Papier De 20m De Long Qui Flotte Japanese in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of wet moulding using paste in the preparation is mentioned by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds up tend to be smooth and we are approaching statue rather than Origami.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called Avion En Papier Planeur Facile A Faire this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form we may use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that We am acquainted with is by Toyoaki Kawai.
Bateau en papier
Typically Avion En Papier Qui Vole A L'infini the associated arts are Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of papers each folded to symbolize some part
Comment faire un avion en papier
In the most extreme mixtures of water and papers we are, naturally , in the world of papier-mache which is obviously an open-ended art. DecoratingThe easiest step from your single coloring is one side coloured and one white or plain. A great offer of modern Origami intrusions this colour difference. The delightful example is Mary
Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then ribbon and finally string.
